The balls that advertisers have: Nothing says Australian Cricket like Kentucky Fried Chicken. In Brisbane reading with the TV on in the background. A KFC commercial has come on twice that shows a family from the 70’s to the present eating fried chicken while watching cricket. One is supposed to take away the idea that KFC is as much a part of Australian tradition as cricket. Think about it, shitty fried chicken from an American company that originated in Kentucky is boldly claiming to be part of cultural tradition in a foreign country. It is delivered with total sincerity. The commercial is meant to pull on the heart strings. When this kind of distortion, or bold faced lie, can be delivered without blinking an eye during casual viewing, is it any wonder that companies and their politicians can get away with murder?
You will find yourself going down some strange rabbit holes when time allows. French singer Francoise Hardy in 1965. I don’t understand a word of it, but it is beautiful.
Our grandchildren will blame us for not tossing hand-grenades into TV stations because of commercials. Television kills our imagination and what we end up with are worn out images because of the inability of too many people to seek out fresh ones.”
- Werner Herzog
If you would like to read more quotes by the German director you can find some at:
If you are even the slightest bit interested in Herzog, the book Herzog On Herzog is a completely engaging read.
I read the following quote by bassist Jah Wobble today:
To be honest I am turned on more by the renaissance that has taken place in USA TV and the TV of some European countries over the last few years. Great narratives , great writing multi layered meanings and fantastic social commentary. It’s almost reinventing the wheel; fiction that documents better than documentaries. Against all odds TV has become the medium that makes most sense in and of this crazy post modern, late stage capitalist, samsaric world that we live in. Music, and its intelligent use is obviously a part of that renaissance, but it isn’t the main thing any more. Right now, like the novel, ‘the album’ format seems a bit moribund. I still hear the odd tune that I like. It’s just that ‘the muse’ seems to be hovering over the likes of HBO script writers rather than musicians right now. That’s where innovative stuff seems to be happening.
You can read the full interview here:
While I would argue that there are still great albums being made, and that there is obviously plenty of bad TV, it does seem that at its best, television is right now where some of the best entertainment is being made. There are many reasons for this. I think that special effects on TV have caught up with films. TV doesn’t face the kind of censoring it once did. Television no longer has a stigma for big name actors. There are many different things in our culture at this place and time which are allowing TV to tell stories better than ever before. However, I would also bet that economics play a large role in this. The television industry has done a much better job of protecting their products than the music industry has. While one certainly shouldn’t need large-scale fame and fortune to commit themselves to an art form, it does help if people can at least make a living at what they are doing. Also, making really good sounding records is not cheap. Even a self financed low-fi record can end up costing a couple grand. I can’t say this enough: If like me you love music, and you wish that more great records were being made, it is important that you buy records from the artists that you like. In a capitalist system we vote with our dollars. If enough of you invest in the artists that you love, you will see those artists make more records and many of those artists will also be given more freedom to create in the studio.
My allergies have been really bad the last few days, on top of other things, so I haven’t been as productive as usual. Also, to create anything, be it a blog or a song, you need to take in a large amount of material. Other than listening to records, which I never stop doing, about the most I have been able to concentrate on is watching The Walking Dead. I am finally caught up with the newest episode.
Zombies have typically been used as metaphors for different political situations. George Romero’s Dawn of the Dead, which takes place in a mall, has been seen as commenting on consumer culture. I feel like because of the complexity of the storytelling, and the density of the imagery, the politics of The Walking Dead are complicated, and it can’t be simplified down to a left or right thing. There are different scenes and story lines and images that feel like part of red and blue America.
One of the things I really like about it is the fact that the cast is racially diverse in a way that most mainstream entertainment is not. I also feel that, for the most part, the characters are sufficiently complicated and are represented as human beings. While the characters, such as Tyreese and Glen, are not stripped of racial characteristics, they are never defined by them either.
All art is political at some level. Sometimes you just have to read between the lines. Even pieces of work that are expressly non-political are political. Things that are just escapism, which can perform the altruistic function of allowing you to disconnect from the stress of daily life, is essentially saying that everything is OK. In not challenging the dominant narrative of society you are you are making a political statement by abstaining from the discourse. Again, I do believe that escapist entertainment can have an altruistic purpose, but one shouldn’t say that it is non-political.
However, in the realm of escapism I think there are different levels of worth. Some escapism champions materialistic values. Something like American Idol is not only not asking you to not think about the real world, it is also full of the kind of shallow materialistic values that are a burden on our society. A great deal of mainstream country and mainstream rap, whether singing about trucks or bling, communicate the message, that is hidden under the guise of fun, that you are what you own.
I do think that The Walking Dead, while being entertainment largely, manages to ask questions about human nature. How far can people go and still retain their humanity? Even though the killings in Episode 3 of Season 5 seemed to be justified, they were filmed in such a way that was meant to make the viewer feel uneasy. In Season 4, especially, you see the damage that a society structured on violence starts to psychologically damage the children that grow up in it. The show is still asking you to think even while it creates a narrative entertaining enough that it whisks you out of real life at the same time. It is an interesting balancing act.
Today I have also been doing some reading on the current political races in Texas. If you want to see the definition of despicable, google Dan Patrick, who is running for lieutenant governor in Texas. He is a former radio shock-jock that has now gone into politics. If you are not from Texas, and want to learn about who this man is you can read the following article:
If you are in Texas, then I hope very much you will do whatever you can in your power to make sure this man loses the election. Even Rick Perry looks respectable next to this moron, and that is saying something.
On the road last week I finished the second book I have read by John Lydon (Johnny Rotten). This book was called Anger is an Energy: My Life Uncensored. A couple weeks ago I read his first book Rotten: No Irish, No Blacks, No Dogs. The first book dealt explicitly with his younger years and especially his time in the Sex Pistols. His newer book dealt with his entire life story. Out of the two books I felt that Rotten, the one on the Sex Pistols, was essential reading if you are interested in the topic of popular music, where the newer one was more for the completist or fan. I read the second one because I am a huge Public Image Ltd. fan, which was Lydon’s second band after the Sex Pistols.
Those books are the reason I have been posting a large amount of John Lydon stuff in recent weeks. As well as reading those books I have been checking out interviews and videos on YouTube. Lydon is admittedly very shy. The Johnny Rotten persona was a way of dealing with that shyness. He was able to go into the media world and speak truth to power while being able to protect himself with a persona. Somehow, while utilizing this persona, he was able to be more authentic and real than just about anyone he was paired with. If you watch him on film as much as I have the last few days, you start to notice some interesting things with the way he deals with the media.
If you were to only catch one clip of him you might just come away feeling he is egotistical or rude. However, if you watch a multitude of clips you start to realize that he is getting at the truth through his behavior. He exposes the fake politeness that not only is prevalent in the media, but also keeps the media from doing their job. He says the things that many people are thinking, but are afraid to actually say. When you watch a lot of these interview shows there are unwritten rules as to how people should behave. The hosts and the guests kiss each others’ asses for lack of a better term. The host gets people to come on their show and the guest gets to promote whatever product they are there for. It’s such a normal thing that we don’t even question it. However, in real life, people rarely act this way, like best friends, if they don’t know each other. The reason why this can be bad is that, as a viewer, it can make it hard to know what you are being sold. If it is entertainment this might be OK, but if it is politics, this can actually be dangerous. Lydon goes on various forms of television and through his disruptive behavior exposes the facade that the viewer is being sold. An example would be when he went on American Bandstand and refused to mime the words. Another example is when he was supposed to go on the Rosanne Show and he refused make an agreement with her producer that he wouldn’t be rude. Unfortunately for the producer, he had already made a legal agreement that he could film backstage with his own crew. He captured her asking him not to be rude and how he was thrown off of the show once he wouldn’t make a verbal agreement to behave a certain way.
I’ve realized in reading his books and watching footage of him, just how many barriers he has broken down. We are lucky that there is someone as fearless as him out there. He was harassed by the police forces of England, Ireland, and The United States for the political and personal stances that he made. He was thrown in Mountjoy prison in Ireland and he was often harassed in airports traveling between England and our country. His fearlessness came at a price.
Anyway, if you are looking for some entertainment it is worth seeking out John Lydon footage on YouTube. there are plenty of pieces of film worth watching. If you are at all interested in pop music, his first book is really worth checking out. If you are interested in him, but don’t have the time to devote to reading a whole book on him, the above interview with The Quietus is an excellent overview. For those of you that only know him through his work in the Sex Pistols, his other work is really worth investigating.
The always brilliant John Oliver on the wage gap from his show Last Week Tonight.