I’ve got to jet out to a rehearsal. In the meantime, in honor of Halloween approaching, here is the Ramones video for Pet Cemetery. I learned how to play guitar by playing along to Ramones records. This movie used to also scare the bejesus out of me as a kid. Alas, now I would gladly dance with the awoken dead of Pet Cemetery if it came between that and seeing Ted Cruz’s face one more time.
A lot of Christians wear crosses around their necks. You think when Jesus comes back he ever wants to see a fucking cross? It’s like going up to Jackie Onassis wearing a rifle pendant. - Bill Hicks
I’d be lying if I said I knew Hicks work that well, though I certainly have heard of him. Mark, our saxophone player, tipped me off to this quote last night. I have always thought it strange that many people’s symbol of hope is also a symbol of one of the most excruciating ways to die possible. Do some reading on crucifixtions sometime, it’s horrible! If you really wanted to follow Jesus wouldn’t it be better to wear some kind of symbol of love or peace or understanding? That is why I find things like The Passion of the Christ so wrongheaded, it dwells on all of the wrong things. But then again, I guess most churches do the same….
Whenever there are two football teams playing that I don’t like, I always say I hope for Black Sunday. This is a reference to the 1977 movie where terrorists plan to blow up the Super Bowl using the Goodyear Blimp. This week the Cowboys play the Giants. As a Philadelphia Eagles fan, as all three teams are in the NFC East, I can’t really wish for either team to win even though it would be advantageous right now for the Giants to come out on top. I know that pro football is completely ridiculous, but that is part of what I love about it. So next time two teams play that you don’t like, and you can’t in good conscious root for either one, remember the term Black Sunday. You’ll thank me for it. Enjoy!
Wikipedia page for the movie below:
I’ve been looking up stuff on Twin Peaks ever since it was announced that it will be returning in 2016. The scene above is interesting because Laura Palmer tells Agent Dale Cooper that she’ll be seeing him again in 25 years. 2016 will be 25 years since this episode aired.
But what also struck me was how unsettling the above imagery is. I no longer find horror movies frightening for the most part, and for those of you that haven’t watched Twin Peaks is not a horror show in any traditional sense. (It is a combination of genres that is really quite unique.) There are some that are well done and suspenseful, but as an adult they don’t leave me with any lingering terror after I’m done watching them. I used to be really scared of The Shining as a kid, but I watched it a couple years ago and found myself laughing at how insane and over the top it was.
However, David Lynch is a master of what is called the uncanny. A definition of uncanny is: strange or mysterious, especially in an unsettling way.
The uncanny is a feeling and feelings are abstract. It can be as surreal as the imagery above or it can be a normal everyday thing that doesn’t quite add up. Often in dreams it is never quite day and never quite night, and there is something haunting about this. Lynch as a filmmaker, and the above imagery is not the best example of this, is able to create images that are more like real dreams than any filmmaker that I can think of. It’s the combination of things that don’t belong together in a way that is troubling. I think one of the many reasons why this show has remained fascinating for so many people for so long is there is something about the way that it affects our subconscious that leaves a lasting impression.
My last post featured John Oliver on drones. In that video Oliver talks about a government memo in which the word imminent is robbed of all meaning. Recently I watched the Errol Morris documentary The Unknown Known, which is a documentary about Don Rumsfeld. A better title would have been The Man Who Wasn’t There. Rumsfeld talks in a bureaucratic language that robs everything of meaning. He speaks almost entirely in euphemisms. The more you watch of this movie, the less you know.
That does not mean that it is without value. While you start the movie thinking it is going to be a movie trying to hold Rumsfeld accountable for the mistakes, namely the Iraq War, that he made while in government, it becomes that almost seems more to be about the manipulation of language.
Having just read Hannah Arendt’s Eichmann in Jerusalem, I couldn’t help but think but to compare Rumsfeld to Eichmann. Now let me be clear, I am not comparing Rumsfeld’s crimes to Eichmann, or saying that they have an exact personality match. However, both seemed to be characters in bureaucracies that used a kind of empty language that masked the horrible realities of their actions. Both men also seem to be very shallow thinkers.
Rumsfeld, in this movie, rarely seems to reflect deeply on what he has done. He has kept an amazing amount of records. He dictated so many memos that he called them “snowflakes”. He doesn’t seem to be consciously misleading Morris. It is more that he answers the questions directly, but in a way that is devoid of any deeper meaning. It is an interesting movie with an extremely frustrating subject.
An interesting read about the punk movement and the movie The Great Rock N Roll Swindle for those of you so inclined. I have been listening to the soundtrack in the van. Off to Louisiana today, so posting may be slow.
Terry Gilliam: Hollywood is just “gray, frightened people” holding on for dear life http://www.salon.com/2014/09/19/terry_gilliam_hollywood_is_just_%e2%80%9cgray_frightened_people%e2%80%9d_holding_on_for_dear_life/
An interesting interview with one of my heroes, director Terry Gilliam.